评分9.0

镜子的另一面:纽波特民歌艺术节1963~1965

导演:Murray Lerner 

年代:未知

地区:美国 

类型:真人秀 综艺 

明星:Bob Dylan Joan Baez Judy Collins 

更新时间:2026-03-10 15:34:29

简介:"BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn'tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan'srisethroughthefolksceneforourselves.WatchingLerner'sdocumentary,what'smostremarkableishowmuchDylanchangedoverthecourseof36monthstheyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe'sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsithe'sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin'tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan'seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd'sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan'sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie'sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay'sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd'sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there'snosignofithere)Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It'sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner'sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughoutnomatterhowmanytimesyou'vereadaboutDylan'sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneoftheླྀs.

简介:"BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn'tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan'srisethroughthefolksceneforourselves.WatchingLerner'sdocumentary,what'smostremarkableishowmuchDylanchangedoverthecourseof36monthstheyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe'sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsithe'sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin'tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan'seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd'sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan'sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie'sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay'sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd'sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there'snosignofithere)Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It'sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner'sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughoutnomatterhowmanytimesyou'vereadaboutDylan'sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneoftheླྀs.

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